- AUD
- CAD
- CHF
- EUR
- GBP
- HKD
- JPY
- NOK
- SEK
- USD
- NGN
- THB
- Square Feet
- Square Meters
Branded Residences The Early Developments
Branded Residences Early Developments 1920’s to 1930’s
Here at BRESI we are committed to covering the entire branded residences industry in as much detail as possible, and part of this comprehensive coverage is to document the history of branded residences, as well all future happenings.
We have previously written a full overview of the sector from the very early days in the 1920s through to what we expect to happen in the future.
However in this article we delve deeper into the branded residences early developments, and how these projects changed the luxury real estate in the 1920’s and 30’s and paved the way for the sector that we have today.
You can read the full history of branded residences from the 20’s to 2025 and beyond, with our full branded residences historical timeline article.
The Sherry-Netherland
Pioneering Branded Residences in 1927
In 1927, The Sherry-Netherland at 781 Fifth Avenue, New York City, introduced the branded residence model, offering private apartments with luxury hotel services.
Developed by restaurateur Louis Sherry and hotelier Lucius Boomer, the 38-story tower, designed by Schultze & Weaver with Buchman & Kahn, was the city’s tallest apartment-hotel upon completion. Its Neo-Romanesque and Neo-Gothic facade, accented by gargoyles and a distinctive roofline, housed 165 apartments, from studios to expansive single-floor units above the 24th floor.
These luxury homes for sale were marketed to affluent buyers seeking a high-service, low-maintenance lifestyle at a prestigious address.
The Sherry-Netherland’s innovation lay in its co-op structure.
Owners purchased shares, gaining access to hotel amenities, including housekeeping, concierge, and dining from the Cipriani restaurant. Its Fifth Avenue location, opposite Central Park, and opulent interiors—featuring a lobby with limestone panels salvaged from the Vanderbilt mansion and frescoed ceilings inspired by Raphael—drew New York’s elite.
The Sherry brand, synonymous with high-society catering, ensured credibility, sparking immediate interest.
With only 50 hotel rooms alongside the residences, the property maintained an intimate, residential character. Its success attracted notable residents, including David Bowie and Diana Ross, cementing its status. Fully converted to co-ops in 1954,
The Sherry-Netherland remains a benchmark for branded residences.
Architectural Significance of Early Branded Residences
Art Deco elegance
The Sherry-Netherland’s architectural design set a high standard. Its limestone-clad base, terra-cotta upper stories, and setbacks with gargoyles reflected the 1920s’ exuberant aesthetic.
The lobby’s frescoed ceilings and Vanderbilt mansion panels added historical depth, contributing to its 1981 designation within the Upper East Side Historic District.
This architectural excellence and style, not only attracted buyers but also established the building as a cultural landmark both then and today.
The Carlyle, opened in 1930, embraced Art Deco elegance. Designed by Bien & Prince, its 38-story tower featured a green-and-gold pyramid roof and beige brick facade, offering residents and guests panoramic Central Park views, and true five star hospitality.
The Pierre, also opened in 1930, adopted a Georgian-style aesthetic, designed by Schultze & Weaver. Its 42-story silhouette, topped with a copper mansard roof, exuded timeless sophistication.
Both properties integrated residential and hotel services into their business model, enhancing their overall appeal to VIP residents.
Branded Residences in the 1930's
The Carlyle and The Pierre
The 1930s lick started the branded residential real estate concept, with The Carlyle (now a Rosewood Hotel) at 35 East 76th Street. Its Art Deco tower combined a luxury hotel with apartments available for long-term lease, converted to co-ops in 1970.
Residents could access hotel services, like maid service, concierge, and dining whilst enjoy the privacy within expansive, often floor-spanning apartments.
The Carlyle’s rental model differed from The Sherry-Netherland’s ownership focus but aligned with the branded residence framework, serving clients valuing discretion, service and exclusivity.
The Pierre at 2 East 61st Street (now operated by Taj Hotels) followed, offering residential apartments alongside hotel operations, transitioning to co-ops in 1959.
Its Georgian-style tower provided residents with room service and valet, steps from Central Park.
The Great Depression constrained further projects, but The Carlyle and The Pierre, leveraging prestigious addresses and hotel infrastructure, had confirmed the viability of offering residential homes within hotels, for wealthy real estate investors.
Their success reflected a shift toward urban living, where the proximity to cultural hubs like Central Park and access to hotel services outweighed economic uncertainty.
These unique and exclusive offerings laid the groundwork for the branded residence boom that we have today.
The Stars That Graced Branded Residences Early Developments
Notable Residents and Cultural Impact
The Sherry-Netherland, The Carlyle, and The Pierre attracted high-profile residents, enhancing their cultural and historical significance. The Sherry-Netherland housed figures like David Bowie, Diana Ross, and Francis Ford Coppola, drawn to its discreet luxury.
The Carlyle, a favourite of presidents like John F. Kennedy and celebrities like Woody Allen, became a cultural hotspot, with its Bemelmans Bar becoming literary and artistic haven.
The Pierre hosted stars like Elizabeth Taylor, its elegant interiors a became backdrop for high society.
These high profile residents elevated the properties’ profiles, reinforcing hotel residences status, as symbols of prestige.
Preservation efforts have ensured these buildings’ longevity. The Sherry-Netherland’s 2014 lobby ceiling restoration and its 1981 historic district designation highlight its architectural value.
The Carlyle’s facade and interiors retain their Art Deco charm and is now a Rosewood Hotel. The Pierre, now owned by Taj Hotels Resorts and Palaces, balances historical integrity with modern upgrades.
The continued stewardship efforts and carefully restorations underscore the properties’ roles as living history.
Today, branded residences thrive globally, and The Sherry-Netherland’s model, remains as the standout blueprint for the sector.